ARMENIAN MUSIC and Its Impact on the Armenian Culture

Armenian folk musicians - (Photo credit: Wikipedia)

The rich culture of Armenia is a veritable collage of different elements that are embedded finely and woven intricately. One of the most important elements, tying the people of Armenia in one common thread, is its music. Armenian music has its own unique flavor, yet it is perfectly blended with the neighboring countries like Russia, Georgia, and Iran. Many people find a few of similarities of Armenian music with the Middle East and Mediterranean region as well.

Today, the Armenian music has a distinct style of its own. It encompasses the old and traditional tunes in unison with the modern and contemporary music. Therefore, the rich heritage of the music has been passed over to the younger generation, who is beautifully experimenting with the modern music alongside the classical music.

The most talked about traditional folk music is Rabiz. It usually means a genre of Armenian folk music. However, Rabiz music slowly was deteriorated due to lack of good lyrics and it is almost deformed to the extent it found semblance with Turkey and Arab music.

The Armenian tunes have a strong classical base. There are many noted musicians who have made it very popular. The renowned and noted classical musician Jivan Gasparyan has promoted duduk music to almost all the countries including USA, UK, and European countries. It Jivan Gasparyan's music tells the history of the Armenian folks, their struggles and sufferings without uttering a single word. So, this is a great way to reliving the history and telling the younger generation about the sufferings and sorrows of the Armenian folks.

There are many Armenian videos available that depict the infamous Armenian genocide. The Turkish government massacred many Armenians living in the Ottoman region. As many as 1.5 million Armenians were killed and the rest of them had to leave their country. Many of them took refuge in the USA. The main reason cited for this genocide by many people is that Turk rulers considered Armenians, who professed Christianity through their Christian music and Church music, as a potential threat to Turkey. Even, the Armenian Diaspora news Armenian videos are available.

The other most important thing that has given Armenians recognition is the Armenian funny videos. There are various television shows in the USA that include Armenian funny videos. Some popular comedy shows are also available as funny videos. Kargin is the most popular series available on the Internet today.

By Ara Hovsepian - Article Source: EzineArticles

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PIPE and DRUMS

Photo  by conner395 

Bag pipes date back from the period of the Celts who marched into conflict to the sound of horns being blown. At the battle of Flodden it is said, is one of the earliest mentions of the bagpipes, that the town piper played his pipes. From the 1700's onwards bagpipes were mentioned more frequently.

In the early 17th century pipers were not given an official role in the regiment - even when the role of piper and drummer and bugle player were recognized - indeed sometimes the piper was sometimes listed as a 'drummer' on any military records. The first official recognition of the piper was in 1679, and they played an integral part of the regiment greatly boosting the morale of the troops.

Following the battle of Culloden, the victorious Hanoverians banned bagpipes, this was at the same time that the wearing of tartan was always banned.

Playing military pipes was seen as on a par with any the role of any other member of the regiment - highlighted by the sentencing to death of a piper in the regiment captured during the 1745 uprising.

'A Highland regiment never marched without a piper... therefore his bagpipe, in the eye of the law, was an instrument of war'

So what music did military pipers play - there were three types of 'pibrochs' (tunes) - as well as tunes for marching to and well as laments for playing at funerals. Many of the pibrochs were inspired by famous battles, in particular, the Jacobite Rebellion. As such some tunes are linked to certain regiments.

In 1840, the popularity of military pipe bands was given a boost - Queen Victoria's enthusiasm for all things Highland was behind the War Office's decision to provide each of the Highland Regiments five pipers and a Pipe Major. Pipe bands grew in reputation both at home and abroad a positive image of Scotland. While pipers were forbidden from playing in trenches many pipers disobeyed this order and many were killed alongside their comrades, with some pipers receiving the Victorian Cross for their bravery. Military pipers were also present in more recent conflict including the Gulf War. Today pipers in the army are also required to take on a secondary role in the army, such as a medic.

Today military pipe bands, also referred to as 'pipe and drums' have expanded and are common outside of the military and thousands of civilian pipe bands have sprung up all over the world

Pipe band proficiency is typically measured in grades from 1-4. With grade 1 the highest level and grade 4 the most basic or training level. Traditional Pipe bands are made up of a section of pipers, a section of snare drummers, several tenor drummers and a single bass drummer.

Countries that have strong cultural links to Scotland such as America, Canada, and Australia also have a 1000s of pipe bands which celebrate their shared Celtic heritage.

At the annual World Pipe Band Championships pipe bands from around the world come together to perform. The Edinburgh Tattoo is also a key fixture for pipe bands - military bands from around the world play together to create a magnificent sound and spectacle.

An important part of playing in a pipe band is the specific dress that is worm, this allows members to feel part of Scottish Heritage and the impressive look of the uniform adds to the spectacle.

By Anna Murray Anna Murray is Head of Marketing at The Scotland Kilt Company. For more information about highlandwear for pipers as well as our piper discount visit http://www.thescotlandkiltcompany.co.uk/ - email info@thescotlandkiltcompany.co.uk Or call 0131 225 3555 Article Source: EzineArticles

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A Brief History of the CHICAGO SYMPHONY ORCHESTRA (CSO)

Orchestra Hall, Michigan Ave., Chicago, Illinois
(Photo credit: Wikipedia) 

Formed in 1891, the Chicago Symphony Orchestra (CSO) is generally considered to be one of the country's finest classical music ensembles. Along with the orchestras of New York, Boston, Philadelphia, and Cleveland, these groups are collectively known as the Big Five, both for the quality of the music they play as well as their influence on the world of classical music.

The orchestra moved to its permanent home, Orchestra Hall, in 1904. Now a part of the overall Symphony Center complex located along South Michigan Avenue, the exterior of this edifice was designed by Chicago architect Daniel Burnham in the Georgian style. Above the ballroom windows that grace an upper floor are inscribed the names of five important composers: Bach, Mozart, Beethoven, Schubert, and Wagner. Starting in 1995, the building underwent a significant renovation that took three years to complete. It was named a National Historic Landmark in 1994.

As with most orchestras, their success is oftentimes best described by noting the accomplishments of the people who led them. Under the musical direction of Frederick Stock, the CSO made its first recording in 1916. He was also responsible for instituting a series of young people's concerts during the 1919-20 season that remains part of the orchestra's commitment to the community to the present day. In the period between the two world wars, Artur Rodzinski conducted the orchestra's first full-scale production of Tristan und Isolde by Richard Wagner, which starred Kirsten Flagstad. In the 1950s, Fritz Reiner conducted a number of historic recordings on the RCA label, including one of Bartók's Concerto for Orchestra that is considered by many aficionados the best example of its era. The orchestra has also attracted a number of high-profile guest conductors down through the years, notably many who were also composers. These have included Richard Strauss, Maurice Ravel, Edward Elgar, Leonard Bernstein, and Aaron Copland.

The person who clearly had the greatest impact on turning the Chicago Symphony into a world-class orchestra was Georg Solti. The Hungarian-born conductor served as music director from 1969 until 1991 and led the ensemble in a total of 999 performances. Many of his recordings are listed as among the best examples of each respective work. Under his baton, the CSO undertook its first European tour [1971] and recorded the soundtrack for the feature film Casino.

The current music director of the Chicago Symphony Orchestra is Riccardo Muti, known primarily for his work in opera and as principal conductor for the La Scala Opera House in Milan, Italy. However, he also enjoys a solid reputation as a leader of various symphony orchestras, in particular having served as music director for the Philadelphia Orchestra from 1980 to 1992.

Every summer the Chicago Symphony relocates to the northern suburbs and its summer home at Ravinia, a forest-like setting in nearby Highland Park, Illinois. The annual Ravinia Festival began in 1936, and it offers a wide range of classical music-everything from "pops" to opera, and occasionally a world premiere in a pastoral setting beneath the stars. Several famous conductors have made their CSO debuts at Ravinia, including James Levine and Seiji Ozawa.

The CSO was the first American symphony to align itself with a training orchestra. The Civic Orchestra of Chicago was formed in 1919, and it continues today as one of the most prestigious venues for musicians interested in becoming professional orchestra players. This ensemble generally performs five or six concerts per year and also sponsors a chamber series that showcases its most prominent young players.

Newest information on WIKIPEDIA

By Paul Siegel - Article Source: EzineArticles

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RECORDER - Music-Instruments of the World

Recorder - Music-Instruments of the World

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Paul van Dyk biography

Photo: Wikimedia

Paul Van Dyk was born in Eisenhuettenstadt in East Germany in 1971. He grew up in communist East Berlin, but had a keen interest in music from an early age and used to listen to house music on radio stations broadcasting from the other side of the Berlin Wall.

When the Wall finally came down in 1989, an underground club culture quickly evolved in Berlin and Paul started DJing around the city in clubs like Tresor.

He began producing his own records in 1992 - his first release was a collaboration with Cosmic Baby under the Visions Of Shiva monica (available on Transformed From Beyond).

Paul first achieved mass acclaim with his remix of Humate's "Love Stimulation" which was a big club smash in 1993. Paul went on to remix many renowned artists such New Order, Sven Vath and Tori Amos (on BT's "Blue Skies").

The release of Pauls second album "Seven Ways" really brought his music to the masses. It was very well received by music critics across Europe and sold by the bucketful, assisted its big singles "Beautiful Place", "Forbidden Fruit" and "Words".

At the same time as producing some of the most melodic and exciting trance around, he was also gaining a reputation for being THE DJ to see live.

1998 saw him release one of the all-time great trance classics in For An Angel which went on to chart highly.

In the same year, he remixed Blank & Jones' "Cream" and Binary Finary's "1998", both huge tracks in clubs all over Europe.

in 1999 Paul won a plethora of awards including Best International DJ by both Ministry Of Sound magazine and the 1999 Music Awards in London. He was also named Mixmag's Man Of The Year.

Paul released his third album "Out There and Back" in 2000 which was also gratefully received by an adoring public.

He released his fourth album, Reflections, in 2003 and the first single from the album "Nothing But You" was a massive hit across Europe with its evocative Norwegian vocals.

Paul continues to DJ and record and is still one of the biggest names in dance music.

Aliases: Visions Of Shiva

The latest information is available on Wikipedia

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The Art and MILITARY MUSIC

 'Night Watch' (Photo credit: Wikipedia)

One of the great insults of all time is to mention that whatever is to their standard what military music is to music. Military music is as such not that highly regarded, though we, of course, leave the window open for exceptions and note that even a marching band can be swinging sometimes.

However, in its defense, military music was mostly created to set the tone when soldiers marched into battle. It was not exactly meant to be used for easy listening. For such things, there was Bach and Beethoven and such. But what about military art? What about the many paintings requested by lords and kings to confirm their glory?

Fortunately, the situation here is a bit different. Paintings generally created to further enhance the reputation and legend of the depicted, but as a medium, it also offered more artistic freedom of expression. As such, paintings like Rembrandt's The Night Watch. With the full title of The Company of Frans Banning Cocq and Willem van Ruytenburch, the painting depicts a company moving out. As such, the painting has a clear military theme and yet, it is also counted among the clear masterpieces of Rembrandt.

But not all militarily related art is quite as masterful. Art has been used as part of propaganda throughout time, and e.g. the posters of the Third Reich are not considered art by even the most liberal. On the other hand, the posters created by Edward Hopper across the Atlantic might actually qualify.

But maybe the greatest militarily related art is not the art requested by the powers that be at all. Artists are products of their time, people of their era. As such, when actions of war are taking place around an artist, they will often comment on this through the only medium they really know Their Art. As such, some of the greatest militarily related art is actually comments on military acts rather than work commissioned by the military itself. In fact, some painters like Jack Wolfe based many of their works on such expressions of political opinions, as all actions of war are in the end political.

Of course, this leaves us with the clear conclusion that military influences do not ruin art the way some claim it affects music. The world of art seems safe, whether it is depicting or commenting on military acts. But then what could square art enough to qualify it for a doubtful comparison with military music? There are some that would claim that religion played that role, and indeed the influence of the church did take away from of the more sensual aspects of the world of art, compared to classic times. This lasted until the renaissance where the same classic art inspired new artists to regain the sensuality. However, while this lack of sensuality can at worst be said to be a temporary setback, it also completely forgets the amazing works fostered by the church. One only has to look at the ceiling of the sixteenths chapel or works like The Last Supper, and we are reminded of how much the world of art also owes to religion.

That probably leaves us with just totalitarian regimes to really limit artistic output and make it anything similar to military music. If the artistic expression is limited in such a way, if there is no freedom to define one's own expression, then art too can become bland and predictable. But sparing that, art reflects life and society and the times it is created in, and through this, helps us understand more about ourselves, no matter what the subject of the painting might be.

By Catherine Garney - Article Source: EzineArticles

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How to Play the VIOLIN

Violin and bow.
(Photo credit: Wikipedia)

Learning how to play the violin can be a difficult but rewarding experience. Playing the violin takes a large amount of knowledge and skill. Violinists must know how to hold the violin, how to finger the notes, and how to sound the notes.

Holding the violin properly is very important. If a violinist holds the instrument incorrectly, it will be uncomfortable and more difficult to play. The left arm is curved underneath the body around over the neck so that the hand and fingers are over the strings. The chin rest is placed between the left shoulder and chin. The right arm is then brought up in front of the face in order to bow or pluck the strings.

Once the violinist knows how to hold the violin, they can learn about fingering the notes. Violins do not have frets such as those found on guitars; players must practice and train their ears until they know exactly where the notes are on the fingerboard. There are four positions on the violin; the first position is furthest away from the player's face and sounds low-pitched notes. The fourth position produces the highest notes and is further up the neck. The strings are tuned, from lowest to highest, G, D, A, E. Violinists can play open strings, which means they play a string without pressing on it, or they can change the tone of the string by applying pressure.

There are several ways of sounding notes once they are fingered.  Violinists can drag the bow across the string or strings they wish to play, creating a long, steady sound. They can also play pizzicato, which involves plucking the strings with the fingers of the right hand, creating a sudden, staccato sound.

Just knowing how to play the violin is not enough. Violinists must also be able to know what to play as well. Violinists should also be able to read music or play by ear, assuring that they will sound good when playing in a group with other musicians.

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History And Use Of The BASS GUITAR

Photo  by MaQPhoto 

The bass guitar has been derived from the double bass, which was used in the late 1950's. Having 4 strings, these instruments add the lower tones to a musical performance. Experimentation with the bass had started as early as the 1920's. It wasn’t until the 50's however, that a proper bass instrument was formed. 

In the mid 20th century jazz became popular. As double bass was used those days, they were often not heard due to the lack of amplification. The drums, banjos and other instruments in the band drowned out the sound of the bass. Until 1950 when the first electric bass came into existence with modern amplification techniques.

The bass guitar is played like all guitars with the player holding it close to his body in a horizontal position. The strings are plucked by hand or with the plectrum. In the 1970's, the slapping technique became popular.

Today, the bass guitar ranges from 4 strings up to 11 strings. The 5, 6 and 7 strings providing the mid range while the 11 string starts from a lower than human hearing going up to a very high activity. Electric bass guitar players use various configurations. These changes are made by using preamplifiers and speaker sets. Signal processors are also varied to provide new soundscapes.

In nightclubs, combo amplifiers are used. These amplifiers are fixed with single loudspeakers to make them portable and effective.

The body of the instrument can be of wood or graphite. A wide range of finishing is applied to make it look good. IT can be colored or simply clear white. The work done on the body is fine engineering and delicate balances have to be maintained.

A hot debate rages on what to call this instrument. For nonmusicians, the term bass guitar is common, while hardcore players like to call it electric bass or simple electric bass. Slowly but surely, however, this instrument has gathered a large following which likes to use its own jargon.

The electric bass is a part of the modern country music, post-1970 jazz, and funk. Used mainly to provide backing, it adds a depth to the music. This instrument has added a whole new color to our musical pleasure. Insole music particularly, the bass guitar is effective.

Are sound effects used? Well, yes and no. As the bass guitar sets the tone for the rest of the band, sound effects are not often used, unlike electric guitars. Modern bands, however, have started experimenting with distortion units to add a new flavor to the bass and low key that they provide behind the music.

As we go into a new century, the electric bass's become more and more popular. All bands use it today to add a subtle background. Many groups like U2 even use it to give a haunted feeling increasing emotional attachment to the music. Newer techniques have made this instrument a crucial part of any musical group today.

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ELLA FITZGERALD: American Jazz Singer, Queen of Jazz, The First Lady of Song and a 50 Year Career

Ella Fitzgerald in 1968 (Photo credit: Wikipedia)

Ella Fitzgerald was classified as a Jazz singer but this talented lady singer was so much more than that. She could sing Jazz, Ballads, Swing, and Pop. And she had the special talent of being able to sing Scat. She started singing scat while working with Dizzy Gillespie's band. In reference to this Ella said, "I just tried to do with my voice what I heard the horns in the band doing". The New York Times described her Scat recording of "Flying Home" as one of the most influential vocal jazz records of the decade."

Ella started her professional singing career in 1935 with Big-bands such as Chuck Webb's Orchestra. At the time they were playing at Harlem's Savoy Ballroom. She recorded several hit song such as "Love and Kisses", and "If You Can't Sing It You'll Have to Swing It." She recorded over 150 songs while with the orchestra.

In 1942, Ella left the band scene to begin a career as a solo singer. She signed with the Decca label and she had several hit songs while working with Jazz producer Norman Granz. In the mid-1940s following swing music, jazz began to take on a different style called Bebop.

In 1955 Ella left Decca to sing on Norman Granz's new record label, Verve Records. Ella said that Granz produced her album of The Cole Porter Songbook and it was a turning point in her life. It was the first of eight multi-album "Songbook" sets that she would record for Verve until 1964.

Another album production of Granz was "Ella Fitzgerald Sings The Duke Ellington Songbook." It was the only Songbook that the composer of the songs actually played with her.

During the years that she was recording the Songbooks, she also toured 40-45 weeks per year in the United States and internationally which helped her to become one of the most important live jazz performers.

In her later life, Ella kept busy touring but her health began to decline. She had heart surgery in 1986. She also had diabetes, her eyesight was failing, and both of her legs were amputated below the knee. She was unable to perform and she never completely recovered. She died in 1996 at her home in Beverly Hills, California.

One can tell much about a person by some of the comments she has made over the years.

She said, "I sing like I feel." That comment shows that a singer has to have emotion about the song she is recording. Without emotion, it is pretty bland.

She also said "A lot of singers think all they have to do is exercise their tonsils to get ahead. They refuse to look for new ideas and new outlets, so they fall by the wayside". With those words, she is so right. Anyone that just does what she is referring to has no concept what it is to develop as a singer and indeed would not have a clue as to why they are not progressing.

And finally, she stated, "The only thing better than singing, is more singing". By that, she is saying she just loves to sing. She is passionate about singing. It's what makes her successful.

Read what others had to say about Ella.

Arthur Fielder "Ella's voice becomes the orchestra's richest and most versatile sound."

Bing Crosby "Man, woman or child, Ella is the greatest of them all."

Richard Rogers "Whatever she does to my songs, she always makes them sound better."

Perry Como "She has been one of my all-time favorite singers for many years and still is - she's terrific."

Johnny Mathis "She was the best. She was the best there ever was. Amongst all of us who sing, she was the best."

Vincente Minnelli "If you want to learn how to sing, listen to Ella Fitzgerald".

Pearl Bailey "Ella is simply the greatest singer of them all."

She won 13 Grammy awards and sold over 40 million records. In 1987 President Ronald Regan awarded her the National Medal of Arts.

We are so blessed to have this talented lady singer be a part of our music profession. The one thing I want to say about this superb singer is "Swing Ella, Swing!"

By Paul Romaine - Article Source: EzineArticles

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Know the Kinds of AFRICAN INSTRUMENTS

Photo  by electricnerve 

Music is closely integrated into everyday activities in Africa. Whether daily or festive, almost all African music plays a strong socializing role. It is a country with a history full of different cultures and traditions. Indeed music has played a vital role in their lives from their history up to the present that made them innovatively and artistically produce their own musical instruments.

Africans uses dance and songs along with their instruments during particular occasions, rituals, and ceremonies. It also serves as their musical communication towards each other. Africans are rich in values and customs. Most of the African instruments that they have are fundamentally used as a symbol of admiration and a medium of worshipping their divine being. These kinds of instruments show imagination, creativeness, and power that Africans put into functional objects.

In general, the sound of African music is characterized as polyphonic. Vocal-instrumental combinations are as common as instrumental music. Nearly all African instruments have a device that provides a percussive rhythmic accompaniment. All these instruments may differ in sizes and forms but all are created to create music.

Africa probably has the largest variety of drums to be found on any continent, but practically every other type of musical instrument is also represented throughout Africa. Of all the drums, the most characteristically African are the talking drum, hourglass drum, and the slit drum. Of the myriad types of rattles, the Western African net rattle, made of a handle gourd encased in a beaded net is unique. Xylophones, widespread in Africa, are two basic types; the frame xylophone and the loose key xylophone.

As widespread as the xylophone is the mbira which is consists of flat iron strips mounted on a board or box with one end of each strip free to be plucked with the fingers. The simplest of any kind of stringed instruments found throughout Africa is the musical bow. Zithers and harps are also common and the lyre, which has a hemispherical and rectangular body with two arms extending to a crossbar. The three-stringed instruments unique to Africa are the harp lute, harp zither, and the bowed lute.

You can get hold of these African instruments and learn it yourself. It cam undeniably produces beats, rhythms, and melody that are pleasurable to the ears. Feel the beat of African music and let its music fill the air to make you express your emotions and personality.

These instruments can be purchased in many musical stores which you can check the instruments yourself and try it. But if it is not available in your place or you are just too busy with your time you can conveniently search it on the internet and you can encounter various kinds of these instruments which you can possibly own.

By Matthew Stanton - Article Source: EzineArticles

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The Story of FRANZ LISZT's "Liebestraum"

Franz Liszt (Photo credit: Wikipedia)

Franz Liszt was born in 1811 in the Kingdom of Hungary, which was then a part of the Hapsburg Empire. His nationality is often disputed since many records were destroyed by the Ottoman Turks. Usually, he is claimed as either Hungarian or German, though a small group recognizes him as a Slovak. Adding to the debate, his musical character is often described as French.

His father had dreams of being a musician, and he studied piano, violin, and guitar while attending university. Because of his poverty, he had to give up his music lessons and was employed by Prince Nikolaus II Esterhazy. On several occasions he sat in with an orchestra on the second cello, keeping his musical love alive.

Liszt's father claimed that by the age of nine the boy had played through all of the works of Bach, Beethoven, Mozart, and others. He was forced to buy over eight thousand pages of new music by the masters so that young Franz could keep playing. In 1820 he played to an elite group of socialites who offered to buy his education abroad, but it took two more years before the prince would consider a leave of absence for his father.

Franz's early lessons in Vienna were hard for him because his instructor forced him to learn proper fingerings. Liszt attempted to outsmart his teacher by telling his father the teacher was trying to show him illogical fingerings. Lessons continued after Liszt's father realized his son's trickery.

Early performances in Vienna established him as a child prodigy, but tragedy soon struck. His father's sudden death and a failed love affair in France threw him into depression. He didn't play or compose for a few years until revolution took over Paris.

Travels and tours throughout Europe allowed Liszt to meet many noted composers and artists of the day. He had many love affairs and a few children as well. Eventually, he ended up in Weimar, where he wrote the Liebestraum.

The Liebestraum is a delicate piece of music written in his own romantic style. Playing it requires dexterity in both hands and a grasp of sensitivity that takes time to master. No classical pianist's repertoire is complete without the Liebestraum.

Liebestraum is German for "dreams of love." The name Liebestraum is often used to refer to the third of the pieces, though it is actually the name of the entire set. The three parts are based on poems by Ludwig Uhland and Ferdinand Freiligrath. Each poem describes a different type of love: exalted love, erotic love, and mature love.

The third movement of the Liebestraum is the best known. It is also a reliable test of a pianist's ability. At the time, a version of the Liebestraum for piano and high voice and another for piano two-hands was published.

Throughout his varied life, Franz Liszt created mesmerizing works, including the Faust Symphony and the Liebestraum. He is often called the greatest pianist who ever lived, and the Liebestraum is a great argument in his favor.

By Duane Shinn Duane Shinn is the author of the popular DVD home study course on playing piano titled Crash Course In Exciting Piano Playing! Article Source: EzineArticles

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A Look Into GOSPEL MUSIC Origin, Roots and History

Photo  by Theater Purkersdorf 

When you think of GOSPEL MUSIC chances are churches and large church choirs doing rousing performances were the first things that came to your mind. But would you believe that there was a time when such performances would hardly be associated with the church? Not too many people know that the origin, roots, history didn't just usher the creation of a new music genre, it also gave birth to the present-day African-American culture.

Gospel music origin, roots, history goes back to Africa but most of the sound was developed on American soil, particularly in the southern area, during the 18th century at the height of the slavery era. Tribal African music dealt exclusively with the sacred and was used by tribesmen as a means to be in harmony with nature. When the American slavers brought Africans to American soil, a ban prohibiting their native music and the use of traditional African instruments was imposed on them. 

This was done in order to further subjugate them and prevent them from communicating with one another. The enslaved Africans then turned to creating a new kind of music by using Christian subjects instead and fused their traditional African music styles with the Western style of harmony and musical instruments, thus began the music origin, roots, history of modern-day gospel music.

The roots first started to grow in the South where slavery flourished during the 1600s. To keep the enslaved Africans in check, the Africans were also compelled to attend their masters' worship services, which further reinforced the slavery doctrine. The church and religion became the slaves' sanctuary and acted as their guiding force in times of great adversity, even more so after their eventual emancipation. It wasn't long before their own brand of African-American culture and music started to thrive within the safe confines of the churches. The converted slaves started to adapt the normally sombre and sedated Methodist hymns, infusing it with their own native music. In a fact, a lot of the well-known present-day gospel song patterns, such as the popular call and response style and the use of complex percussion rhythms, are also key features of tribal African music.

Gospel music started to spread towards the North American territories during the late 1800s when slaves were allowed to publicly perform in large musical ensembles. The new breed of music was embraced by the all-white public, their interest obviously piqued by the new sound. Pretty soon the influence of gospel music started to trickle down not only to traditional religious music but also to popular American music.

Some of the most popular personalities in recent music history such as Elvis Presley, Sam Cooke, Mahalia Jackson, Aretha Franklin, and Jerry Lee Lewis among others have cited their own gospel music origin, roots, history back at their own churches as having a significant influence on them. Of the aforementioned names, only Mahalia Jackson-the undisputed first Queen of Gospel Music has the distinction of maintaining a steady career in gospel music. The others had also found crossover success in secular music, despite not completely severing their gospel music roots throughout their music career.

By Gary Harbin Are you looking for the best Gospel music origin, roots, history? Visit http://www.garyharbin.com/ for the best music, concerts, VD's, books, and more! Article Source: EzineArticles

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All The Reasons For Playing MUSICAL INSTRUMENTS

In this article, we will look at some reasons for playing musical instruments. Learning to play a musical instrument can offer many benefits, if you really want to learn how to do something in your lifetime, then you should think about learning to play a musical instrument.

Let’s look at some reasons why in this article:

Reasons for playing musical instruments - You can become smarter

Studies have shown that those that play a musical instrument in school, do better with their studies than those who do not. It is said that playing musical instruments has a therapeutic effect on the brain. By playing musical instruments from a young age, they develop ones reading skills, a child’s ability to learn, and they also raise the child’s IQ. Adults can benefit also because it makes one able to focus better resulting in effects such as more mental focus and improved memory.

Reasons for playing musical instruments - Learn Discipline

Many people who play music are very disciplined. You have to be disciplined in order to master the instrument you are playing. You need to set aside time each day to practice, practice, and further practice. While many people goof around watching TV and Gossiping, you have to set that time aside to practice on your chosen instrument.

Reasons for playing musical instruments - Instruments relive stress

When you hear soft soothing music, it can de-stress many people. We all need days when we need to just sit and soothe our minds. Life can be hectic and stressful. Playing an instrument can relax you by calming the mind.

Reasons for playing musical instruments - A sense of achievement

If you’re new to playing a musical instrument, getting your first piece right can be very frustrating. However, once you achieve this, you can have an overwhelming feeling of achievement and satisfaction.

Playing musical instruments is fun

Playing an instrument can be very hard work, but most people who play will tell you that playing an instrument is a whole lot of fun. Once you get better playing your chosen musical instrument, you will be able to demonstrate what you have learned to families and friends.

You may even choose to go further with your skills and aim for playing musical instruments at a professional level. Playing musical instruments opens up many possibilities which can only be a positive thing. We are sure that by learning to play a musical instrument, your life can only be enriched.

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Band Instrument Repair - FLUTE - The Foot Joint

Flute keys (Yamaha concert flute) (Photo credit: Wikipedia)

The foot joint of the flute consists of 3 keys on a C flute and 4 keys if there is a low B on the foot. The foot joint keys are the property of the baby finger of the right hand. The keys are made in such a way as to be pushed in different combinations by the baby finger.

One of the weakest points on the flute is where the foot joint joins the body. This is called the lower tenon and can be easily damaged. The foot joint can become loose and cause air leakage and loss of sound or become too tight and be very difficult to remove or put on. This can lead to numerous problems. The fact is that the foot joint is long, almost 6 inches in some cases, and the tenon that supports its weight is only half an inch long. Supporting that much weight and length as well as being constantly put under the pressure of the keys being pushed down can tend to take it's toll if not maintained.

Like the body of the flute, the foot joint keys, springs and pads have to be maintained. Replacing, levelling, and seating all have to be done in order to have the keys seal correctly and thus allow the lower notes to play.

Almost all of the keys of the flute work in conjunction with one or more other keys. This means that when you press down on one key it may also cause one or more other keys to be pressed down at the same time. These keys have to be regulated so that when it is required that two or more keys close at the same time, it has to be the same time or you will have loss of sound and the flute won't play. Regulating the keys so that they work in this fashion is probably the most vital repair of the instrument. It requires a delicate balance of bending and levelling the keys as well as seating the pads better and adjusting spring tensions.

The final result of all of this should be a flute that is solid feeling, with no rattles or excessive key noise. No sticky pads or loose feeling keys. When you press the keys it should be very light pressure with a big sound and minimal effort. The last thing you want when you are playing the flute or any instrument really is to be fighting with the physicalness of it instead of just enjoying the artistic and creative nature of it.

To sum it up, you need to have respect for the instrument you are playing and give it the attention it needs. Care and maintenance mean that it will always perform the way it is intended to play and you will enjoy your creativity uninterrupted by physical glitches.

By Darrell Hare - Article Source: EzineArticles

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The History of the PIANO

Photo  by ercwttmn 

Many people do not realize that the PIANO is a stringed instrument. Because the strings are hidden away inside of the piano, and out of sight, it is not generally realized that strings are used to create the sounds of the piano. Because of its stringed quality, the forerunners to the piano include such instruments as the dulcimer (which was played by hitting stretched strings of different lengths with a hammer). But all of it began in the annals of prehistory when humans noticed that a stretched animal-gut string created different sounds depending on length and tautness.

Keyed instruments that resembled some sort of a keyboard first appeared in the middle of the 12th Century. It was called the monochord. Eventually, enough keyed strings developed into the clavichord. This instrument was unique, in that having keyed strings better facilitated the ability to strike more than one string at a time. This meant that it was possible to produce two sounds, or notes, at once. It until a couple of centuries later, in the 14th Century, that metal wires was used in place of strings for many instruments, including the keyboard instruments.

The harpsichord came into being before the piano did (sometime in the 14th Century). It was based more on the old instrument called the psaltery. A psaltery was a simple instrument where the strings were placed in a box and then plucked with the finger, or with an instrument called plectra. When the keys of a harpsichord were struck, plectra pulled on the sting, plucking it. However, the harpsichord was incapable of creating changes in volume.

It is unclear exactly when a truly hammered keyboard instrument appeared. There are letters indicating that an instrument that could play both loud and soft was available in 1598, but historians are unsure as to whether this was a hammered piano or a cleverly rigged harpsichord. In any case, most historians agree that what can actually be called the "pianoforte" did not make an appearance until 1709. This instrument was capable of a wide range of artistic expression.

The name piano is a derivative of the term pianoforte. "Piano" is a term that means "soft," and "forte" is one that means "loud" or "strong." The name given the piano originally is quite descriptive. It basically means "soft-loud" and describes the feat of being able to play a keyboard instrument with varying degrees of volume. Originally, there was little interest in the pianoforte. However, as an article written about the new keyboard invention was translated into different languages made its way across the European continent, makers of clavichords and harpsichords began also to make pianos.

As the piano evolved, it began to take different forms, including upright grand (1739), upright (1800), and different styles of grands and uprights, including those that expanded to include more octaves. While the keyboard arrangement has not changed much since the 14th Century, keyboard instruments have expanded to include more than one sounding board and several octaves.

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